Sugar maples are a fiery orange and even some oaks are a brilliant crimson. People want to gawk at the seasonal show. But what’s the nondriver to do?
Leaf peeping without a car
‘Fjord’ is a restrained thriller that is undermined by its simplistic answers to uncomfortable questions
Romanian auteur Cristian Mungiu feints at objectivity but his personal biases render the dramatic conflict a one-sided affair.
Stage spotlight: ‘The Rocky Horror Picture Show’ and ‘The Commute’
A cult classic returns — plus, a Red Line commute hits the panic button in a play by Karin Anell at the Rockwell.
Waylon Wyatt shines bright like an ‘Arkansas Diamond’
The rising country star, who wowed Sinclair crowds in 2025, scaled up to the higher capacity room at Royale last Friday.
‘Wildwood’ is a technical marvel filled with heart and adventure to delight the entire family
The latest stop-motion gem from Laika offers visual splendor and surprising thematic depths.
Reviewed: ‘Wickhills’ is a fantasy spy thriller that loves its setting – and by the end you will too
A thrilling race for the truth that has all the twists, double-crosses, contests of wits, clever gadgets, shady associates and daring escapes of the best spy thrillers.
Saturday cartoon: This guy
The latest from local cartoonist Lynn Hsu, who sometime appears in The New Yorker but appear weekly right here.
Saturday cartoon: A great new podcast
The latest from local cartoonist Rusty Epstein, who sometimes appears in The New Yorker but appears weekly right here.
Ella McDonald: ‘New York’
Hope springs eternal, but a love affair with the Big Apple boasts a shorter shelf life in the folk artist's latest single.
Legendary filmmaker Barbara Kopple reflects on a career capturing the trials and triumphs of American labor
The director will be at The Brattle on October 23 to screen and discuss her latest film, “Union Town.”